Our grading system is meticulously designed to categorize our Sitka Spruce tonewood based on aesthetic qualities and other critical factors. It’s important to note that all our tonewood classified as suitable for instruments falls into the highest echelons of lumber grading. We further differentiate this top-tier quality into distinct grades, which are outlined below.
Texture: This attribute describes the nature of the wood’s growth and its annual ring count. Our texture classifications range from Fine, indicative of a higher ring count, to Coarse, denoting a wider spacing between rings. Variations can include a gradient from fine to coarse or a texture that is somewhat uneven throughout the wood.
Medullary Rays: Often referred to as “medularies,” these are the natural, silky patterns that run perpendicular to the wood’s growth rings and are highlighted when the wood is expertly sawn almost perfectly quarter-grained.
Stiffness: This characteristic pertains to the wood’s resistance to bending across the grain, an important factor in the tonal quality and structural integrity of the finished instrument.
Detailed Grading: Our tonewood grades are carefully determined, catering to guitars and smaller instruments, as well as larger ones up to the size of a cello. The differences between adjacent grades can be subtle and may be challenging to discern without extensive experience.
These classifications help guide our customers in selecting the ideal tonewood for their specific instrument-building requirements, ensuring a final product that meets both their aesthetic and acoustic standards.
Double Bass fronts have somewhat different grade criteria in that the texture is considerably coarser over-all, sometimes to ¼” growth ring.
Bear Claw Figuration Classification
In our catalog, the unique Bear Claw feature—also known by its German name, Hazelfichte—is categorized into two distinct levels of prominence: Light Figure (LF) and Full Figure (FF). This classification is determined by the extent of the figuration present across the surface of the tonewood.
The term “Bear Claw” is derived from the distinctive pattern that resembles the marks a bear’s claws might leave when dragged across the wood’s grain. The visual impact of this pattern can vary depending on how the wood is sawn, which can enhance or soften the effect.
Unlike the pronounced curl seen in varieties of Maple, the Bear Claw pattern in Sitka Spruce is more understated, offering a subtle yet captivating play of light and shadow that suggests depth and movement. While it may be less intense, the Bear Claw figure adds a touch of rustic elegance to the wood, making each piece uniquely attractive in its own right.
Violin 1 piece min. size 15″ X 9.25″ X ¼” thick at center 2 pc wedge set- each pc-15″ X 5″ X ¼” joining edge X ¼” outside edge
Mandolin 1 pc- min size 17″ X 11″ X 7/8″ thick at the center 2 pc wedge set- each pc.17″ X 5.75″ X 1″ joining edge Most mandolin tops are cut 18″-20″ long x 6+” wide.
Arch-top guitar Plank cut 2 pc. Book-set, min. pc. size 23″ X 9″ X 1 1/8″ thick
Wedge Cut, 2 pc. Bookset, min pc size 23″ X 9″ X 1 1/8″ X 3/8″ at the out side edge. Most arch-top guitar are cut 1 ¼” thick x 10″ wide.
Cello wedges 2 pc. Book-set, min.pc size 34″ X 10″ x 1 ¼” thick x 3/8″ outside edge
Violin 1 piece min. size 15″ X 9.25″ X ¼” thick at center 2 pc wedge set- each pc-15″ X 5″ X ¼” joining edge X ¼” outside edge
2 pc set, min. pc size 23.5" x 9.5" x 3/16".
2 pc Book-set, min. pc size- 22.25" x 8.25" x 3/16"
2 pc. Bookset, min. pc size 17" x 5 1/2'" x 3/16"
2 pc set - min pc size- 13"x 5"x 4.mm
2 pc set-min. pc size, 34"X 4.25" X 3/16" *will cut larger by request*
2pc bookset. Min. pc size 46" X 9" X 3/16"
2 pc set, min. pc size 23.5" x 9.5" x 3/16".
Sold by the board foot not by the piece. For comparison, other vendors sell by the piece and when the volume is calculated, that volume is about .2bdft[2/10ths bdft] 1 bdft = 144 cu. Inches. The bracewood is random size pieces. These are from the correction wedges and end trims from guitar blocks.
From the ONLINE STORE you will see most of what we cut and or stock. If something is not listed, we can most likely cut it for you.
If you are rebuilding an instrument that is peculiar in size, like a bouzouki, or if you are building an over-size mandolin (and the regular top is too small and the archtop guitar is too big) contact us. I may have stock that is just right or just slightly oversize, such as a small body archtop. We are a violin tonewood suppliers and much more.
All of the soundboards found on AlaskaWoods.com are sustainably harvested from old-growth timber, we call them EarthTone Soundboards™. Learn more about what makes EarthTone Soundboards™ the finest in the world.
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